Shajanram is a frail little person in his late eighties. Yet he moves gracefully, with the agility of a nearby desert antelope. The thick round glasses lying on his aquiline nose magnify the darkness of his black, almond-shaped eyes. The white beard and long moustache match the uniform colour of his shirt, dhoti, and turban. His smile is spontaneous, frequent and highly infectious, as his kindness.
He bows in respect to welcome guests in the home that he shares with his four sons, their wives and a total of twelve healthy and cheerful grandchildren. Shajanram does not speak a word of English. His facial expressions genuinely convey his feelings, passing through no filter, no social barrier. For the rest, a guide translates his sacred speech.
The scene is set in Shekhawati, towards the end of the month of July. On the occasion of an excursion...
Mostly unnoticed, all art emerged from handicraft. The clay turns to a pot, the wood is whittled to a veena, the nylons weaved into a net...
A closer look at the road trip that we undertook along the Ganges with four photographers to showcase the versatility of Hasselblad's X1D cameras...
This journey travels through the national parks and sanctuaries of North and West India, exploring indigenous wildlife species and migratory avifaunal species...
A thing of the books, the Ahilya Fort is a boutique accommodation for the heart that like to delve in...
I seek out the Kalari Kovilakom, a palace in which the austerity of an ashram is transformed into the comfortable...